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"What Charlie Chaplin Got Right About Satirizing Hitler" [View all]
Last edited Mon Jan 18, 2021, 12:07 PM - Edit history (1)
Seems topical...
https://www.vanityfair.com/hollywood/2019/10/satirzing-hitler-charlie-chaplin-great-dictator
The Great Dictator—Charlie Chaplin’s masterful satire of Adolf Hitler—began filming in September 1939, right at the start of World War II. By the time it was released in 1940, the Axis had been formed, and Nazis were already occupying much of France. The threat was not at all abstract: critic Michael Wood notes that the movie premiered that December, in London, amid German air raids. The following December, of 1941, would yield its own devastating threats from the air—this time on American soil, which would clarify for Americans the realness of this war by bringing it home.
It was, in other words, a strange moment to be making a comedy about Adolf Hitler—even a satire holding him to account, and even one in which Chaplin himself, who was at that point one of the most famous movie stars in the world, famous for playing the ambling, lovable Little Tramp, took on the role of Hitler. In 1940, Germany and the US had yet to become enemies; feathers, it was worried, would be ruffled by a movie like this. But Chaplin was already unwittingly bound up in the era’s iconographies of evil. His likeness, the Little Tramp, with that curt mustache and oddly compact face of his, had already become a visual reference for cartoonists lampooning Hitler in the press. And he was already on the Nazis’ radar: the 1934 Nazi volume The Jews Are Looking At You referred to him as "a disgusting Jewish acrobat." Chaplin wasn’t Jewish. But he was frequently rumored to be. And when he visited Berlin in 1931, he was mobbed by German fans, proving that his popularity could surpass even the growing ideological boundaries of a nascent Nazi Germany—hence their hatred.
Chaplin was aware of all of this—and of the fact that he and Hitler were born only four days apart, in April of 1889, that they had both risen out of poverty, and that they had enough points of biographical comparison, overall, to spook any sane person. Let’s not overstate their similarities: One of these men would go on to make the world laugh, and the other would go on to start a world war and facilitate the Holocaust. Humorously, that split would come to be echoed in The Great Dictator. Chaplin does double duty, playing the movie's two central roles. One, the character of Adenoid Hynkel, is a Hitler spoof by way of a short-tempered and preposterously powerful personality, a dictator of the fictional country Tomainia. And in the opposing corner, Chaplin offers us a variation on his classic Little Tramp, a Jewish barber who saves a high-ranking officer’s life in World War I and, after a plane accident and years of recovery in the hospital, wakes up to the seeds of World War II being sewn in his country.
It was, in other words, a strange moment to be making a comedy about Adolf Hitler—even a satire holding him to account, and even one in which Chaplin himself, who was at that point one of the most famous movie stars in the world, famous for playing the ambling, lovable Little Tramp, took on the role of Hitler. In 1940, Germany and the US had yet to become enemies; feathers, it was worried, would be ruffled by a movie like this. But Chaplin was already unwittingly bound up in the era’s iconographies of evil. His likeness, the Little Tramp, with that curt mustache and oddly compact face of his, had already become a visual reference for cartoonists lampooning Hitler in the press. And he was already on the Nazis’ radar: the 1934 Nazi volume The Jews Are Looking At You referred to him as "a disgusting Jewish acrobat." Chaplin wasn’t Jewish. But he was frequently rumored to be. And when he visited Berlin in 1931, he was mobbed by German fans, proving that his popularity could surpass even the growing ideological boundaries of a nascent Nazi Germany—hence their hatred.
Chaplin was aware of all of this—and of the fact that he and Hitler were born only four days apart, in April of 1889, that they had both risen out of poverty, and that they had enough points of biographical comparison, overall, to spook any sane person. Let’s not overstate their similarities: One of these men would go on to make the world laugh, and the other would go on to start a world war and facilitate the Holocaust. Humorously, that split would come to be echoed in The Great Dictator. Chaplin does double duty, playing the movie's two central roles. One, the character of Adenoid Hynkel, is a Hitler spoof by way of a short-tempered and preposterously powerful personality, a dictator of the fictional country Tomainia. And in the opposing corner, Chaplin offers us a variation on his classic Little Tramp, a Jewish barber who saves a high-ranking officer’s life in World War I and, after a plane accident and years of recovery in the hospital, wakes up to the seeds of World War II being sewn in his country.
Available for viewing via archive.org:
https://archive.org/details/OGrandeDitadorTheGreatDictatorCharlieChaplin1940
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