Welcome to DU! The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards. Join the community: Create a free account Support DU (and get rid of ads!): Become a Star Member Latest Breaking News Editorials & Other Articles General Discussion The DU Lounge All Forums Issue Forums Culture Forums Alliance Forums Region Forums Support Forums Help & Search

flamingdem

(40,002 posts)
6. I am using a butcher palatte
Fri Mar 7, 2014, 12:05 AM
Mar 2014

that has a wet paper towel and vellum over it that serves as the surface for paint.

That keeps it moist apparently while in storage.

The teacher wanted us to gesso a square so that it had texture - with white - and then do this "dry brush" technique over it as a gradient - with values of black. I guess the idea was to figure out how to produce a gradient with 4 conditions.

In class the demo was working from a photograph by laying in a textured layer of white gesso with black over it. Then the idea was to "paint with light" and layer values of grey slowly up to the brightest whites and highlights.

It's not intuitive to me but I am sure it is meant to teach something important. I wish it was simpler because two things at once make it hard to understand the aim - even if verbalized it leaves me with a ?

Recommendations

0 members have recommended this reply (displayed in chronological order):

not but I can suggest a few exercises dlwickham Mar 2014 #1
Thanks, that would be great flamingdem Mar 2014 #2
technique will vary with the kind of paint you're using dlwickham Mar 2014 #3
Thanks, I went to a class flamingdem Mar 2014 #4
dry brush is pulling a dry brush dlwickham Mar 2014 #5
I am using a butcher palatte flamingdem Mar 2014 #6
paint with light? dlwickham Mar 2014 #7
I sometimes use a paper plate Dyedinthewoolliberal Jun 2014 #10
painting videos geretogo Mar 2014 #8
Post removed Post removed May 2014 #9
Latest Discussions»Culture Forums»Artists»Any links for acrylic pai...»Reply #6