Welcome to DU! The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards. Join the community: Create a free account Support DU (and get rid of ads!): Become a Star Member Latest Breaking News Editorials & Other Articles General Discussion The DU Lounge All Forums Issue Forums Culture Forums Alliance Forums Region Forums Support Forums Help & Search

Artists

Showing Original Post only (View all)

left-of-center2012

(34,195 posts)
Thu Sep 24, 2020, 12:15 PM Sep 2020

Portrait by Renaissance master expected to soar past $80M [View all]

An enigmatic painting from Renaissance master Sandro Botticelli will go on auction next year and art watchers will be seeing if it fetches more than its eye-watering $80 million estimate, despite the pandemic. Botticelli’s 15th-century portrait of a nobleman in “Young Man Holding a Roundel” is the highlight of Sotheby’s Masters Week sale series in New York in January.

Opportunities to acquire a Botticelli — the artist behind such masterpieces as “Primavera” and “The Birth of Venus” — are very rare. “The fact that there are 12 known portraits by Botticelli puts it in an elite type of situation,” said Apostle. “These are the most personal things he produced, in a way. It’s just something he’s doing with one individual.”

The painting — believed to have been executed in the late 1470s or early 1480s — actually represents two art works. Botticelli painted the noble sitter but the roundel — a circular disc used as a symbol — depicts a saint and is an original 14th-century work attributed to the Sienese painter Bartolommeo Bulgarini. Who the young man depicted has been lost to history as well as why he holds the roundel. Some scholars believe he is associated with the ruling House of Medici or another powerful family in Florence.

Apostle says some things can be inferred: The young man’s hair is long and fashionable for the time. His tunic is buttoned up and restrained, dressed in a republican way. “There’s a rectitude to this picture and a lack of arrogance while still being very confident that I think exemplifies that attitude that these republicans in Florence felt about themselves,” he says. “Also, by presenting this medallion, he’s just making sure we’re aware he’s a cultivated person.”

In the past 50 years, the painting has spent extended periods on loan at the National Gallery in London, the Metropolitan Museum of Art in New York and the National Gallery of Art in Washington, D.C.

https://apnews.com/article/virus-outbreak-new-york-painting-archive-b2334ece4ed57c9409e998427bdb33da

4 replies = new reply since forum marked as read
Highlight: NoneDon't highlight anything 5 newestHighlight 5 most recent replies
Latest Discussions»Culture Forums»Artists»Portrait by Renaissance m...»Reply #0