Re: Tonal Predjudice and Asymmetrical Waveform Discrimination
I'll never forget making my way out of the orchestra hall after hearing a performance of an Ives piece that had been reconstructed from his sketches.
The performance required two orchestras, four conductors, and two Synclaviers.
The sheer power and atonality of it blasted my ears so clean that the things I heard walking home, the wind, traffic, and night time bugs, became the fifth movement of the piece.
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